{"id":30,"date":"2017-02-21T21:09:41","date_gmt":"2017-02-21T21:09:41","guid":{"rendered":"http:\/\/themes.uxbarn.com\/wp\/alvar-dummy\/?page_id=29"},"modified":"2026-02-05T15:17:40","modified_gmt":"2026-02-05T14:17:40","slug":"bio-isjtar","status":"publish","type":"page","link":"http:\/\/isjtar.org\/index.php\/bio-isjtar\/","title":{"rendered":"Bio"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>Isjtar Vandebroeck<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" data-attachment-id=\"834\" data-permalink=\"http:\/\/isjtar.org\/img_1397_cropped_graded\/\" data-orig-file=\"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?fit=1360%2C1360\" data-orig-size=\"1360,1360\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Isjtar\" data-image-description=\"&lt;p&gt;Profile picture of artist Isjtar Vandebroeck with a colorful background.,&lt;\/p&gt;\n\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?fit=300%2C300\" data-large-file=\"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?fit=1024%2C1024\" data-src=\"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=1024%2C1024\" alt=\"Isjtar Vandebroeck\" class=\"wp-image-834 lazyload\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/1024;width:598px;height:auto\" data-srcset=\"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=1024%2C1024 1024w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=300%2C300 300w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=150%2C150 150w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=768%2C768 768w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=600%2C600 600w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=1090%2C1090 1090w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?resize=590%2C590 590w, https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/02\/IMG_1397_cropped_graded.jpg?w=1360 1360w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Media artist working across immersive performance, XR and altered embodiment.<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Isjtar Vandebroeck develops performative and installation-based works in which perception is negotiated and identity destabilized. Across sound, performance and digital media, technological environments function as agents within the dramaturgy.<\/p>\n\n\n\n<p>Rooted in electronic music and live audiovisual performance, his practice continues to probe the shifting relationship between body, space and mediated experience.<\/p>\n\n\n\n<p>Since 2019, he has worked with <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">CREW<\/span><\/span>, where he serves as Artist &amp; Research Lead. Within CREW he helps shape large-scale performances and European artistic research trajectories, with works presented internationally, including <em data-start=\"1336\" data-end=\"1358\">Delirious Departures<\/em> and <em data-start=\"1363\" data-end=\"1381\">Anxious Arrivals<\/em>.<\/p>\n\n\n\n<p>Alongside this collective work, he continues to develop independent projects that question authorship, presence and the conditions of embodied experience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isjtar Vandebroeck Media artist working across immersive performance, XR and altered embodiment. Isjtar Vandebroeck develops performative and installation-based works in which perception is negotiated and identity destabilized. Across sound, performance and digital media, technological environments function as agents within the dramaturgy. Rooted in electronic music and live audiovisual performance, his practice continues to probe the shifting relationship between body, space and mediated experience. Since 2019, he has worked with CREW, where he serves as Artist &amp; Research Lead. Within CREW he helps shape large-scale performances and European artistic research trajectories, with works presented internationally, including Delirious Departures and Anxious Arrivals. Alongside this collective work, he continues to develop independent projects that question authorship, presence and the conditions of embodied experience.<\/p>\n","protected":false},"author":1,"featured_media":31,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-30","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"jetpack_shortlink":"https:\/\/wp.me\/PaeaLp-u","jetpack-related-posts":[{"id":680,"url":"http:\/\/isjtar.org\/index.php\/talks-presentations-workshops\/","url_meta":{"origin":30,"position":0},"title":"Talks, Presentations &#038; Workshops","date":"February 12, 2025","format":false,"excerpt":"12-12-2024 Stereopsia, BrusselsPresentation of Tools for Timon, a performance machine in XR, developed within the EMIL XR FSTP project. 16-04-2024 Convergence Keynote, AntwerpSeminar on (Re)construction in Interdisciplinary Artistic Practices. Inititiated by Umut Eldem, Chiara Percivati, Giusy Caruso and Klaas Devos. 26-10-2023 KONTEJNER XR Camp LecturesPanel Artistic Practices in the New\u2026","rel":"","context":"Similar post","img":{"alt_text":"isjtar vandebroeck stereopsia emil","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/02\/stereopsia_sq1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":668,"url":"http:\/\/isjtar.org\/index.php\/writings\/","url_meta":{"origin":30,"position":1},"title":"Writings","date":"February 12, 2025","format":false,"excerpt":"Peer-reviewed Papers VANHERCK Joni, ZOOMERS Brent, JORISSEN Lode, VANDEBROECK Isjtar, JORIS Eric & MICHIELS Nick (2024). Large-Area Spatially Aligned Anchors, Extended Reality. XR Salento 2024link OTTE Georges, DE RIDDER Dirk, JORIS Eric, VANDEBROECK Isjtar, WILLIAMS Kristin (2024). Soulhacker: An Artist-Medical Collaboration to Treat Depression via Artistic Virtual Reality. Int J\u2026","rel":"","context":"Similar post","img":{"alt_text":"spatial anchors","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/02\/spatial_sq.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20,"url":"http:\/\/isjtar.org\/","url_meta":{"origin":30,"position":2},"title":"Home","date":"February 21, 2017","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28,"url":"http:\/\/isjtar.org\/index.php\/blog\/","url_meta":{"origin":30,"position":3},"title":"Blog","date":"February 21, 2017","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":104,"url":"http:\/\/isjtar.org\/index.php\/home2\/","url_meta":{"origin":30,"position":4},"title":"Home2","date":"August 30, 2018","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":22,"url":"http:\/\/isjtar.org\/index.php\/all-works\/","url_meta":{"origin":30,"position":5},"title":"Works","date":"February 21, 2017","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":31,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":848,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/pages\/30\/revisions\/848"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}