{"id":867,"date":"2026-06-29T10:52:46","date_gmt":"2026-06-29T09:52:46","guid":{"rendered":"https:\/\/isjtar.org\/?p=867"},"modified":"2026-06-29T10:54:16","modified_gmt":"2026-06-29T09:54:16","slug":"one-too-many","status":"publish","type":"post","link":"http:\/\/isjtar.org\/index.php\/2026\/06\/29\/one-too-many\/","title":{"rendered":"One To(o) Many"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>This project investigates how virtual and extended reality (XR) performances can challenge traditional ideas of identity and collaboration. Instead of one performer controlling one avatar, what if one performer controlled many avatars? What if multiple people &#8211; performers and even the audience &#8211; worked together to control a single virtual character? These scenarios highlight both positive possibilities (like creative collaboration or expressing complex identities) and potential negative experiences (like losing a sense of self or agency), the tension between these offers great artistic potential. The research also blurs the line between performers and audiences, making the public active participants in the experience.<\/p>\n\n\n\n<p><\/p>\n<\/blockquote>\n\n\n\n<p><a href=\"https:\/\/www.ap-arts.be\/index.php\/en\/research\/one-too-many\" data-type=\"link\" data-id=\"https:\/\/www.ap-arts.be\/index.php\/en\/research\/one-too-many\">One To(o) Many<\/a> is a one year research project at the Royal Academy of Fine Arts Antwerp, running from September 2025 to September 2026, at the Intermatter (formerly Maxlab) research group.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This project investigates how virtual and extended reality (XR) performances can challenge traditional ideas of identity and collaboration. Instead of one performer controlling one avatar, what if one performer controlled many avatars? What if multiple people &#8211; performers and even the audience &#8211; worked together to control a single virtual character? These scenarios highlight both positive possibilities (like creative collaboration or expressing complex identities) and potential negative experiences (like losing a sense of self or agency), the tension between these offers great artistic potential. The research also blurs the line between performers and audiences, making the public active participants in the experience. One To(o) Many is a one year research project at the Royal Academy of Fine Arts Antwerp, running from September 2025 to September 2026, at the Intermatter (formerly Maxlab) research group.<\/p>\n","protected":false},"author":1,"featured_media":868,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[25],"tags":[54,60,46,56,58,59,57],"class_list":["post-867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rnd","tag-avatars","tag-distributed-embodiment","tag-embodiment","tag-identity","tag-intermatter","tag-maxlab","tag-royal-academy-of-fine-arts-antwerp"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2026\/06\/onetoomany_cropped.jpg?fit=1000%2C563","jetpack_shortlink":"https:\/\/wp.me\/paeaLp-dZ","jetpack-related-posts":[{"id":789,"url":"http:\/\/isjtar.org\/index.php\/2023\/04\/14\/soulhacker\/","url_meta":{"origin":867,"position":0},"title":"Soulhacker","date":"April 14, 2023","format":false,"excerpt":"Which role can art and VR play in the treatment of psychiatric patients? This is the premise of the Soulhacker research project. The artists of CREW, in collaboration with teachers and students of RITCS, will develop virtual environments in which neurologists and psychologists (represented by Brai3n, Dr. Georges Otte, Dr.\u2026","rel":"","context":"In &quot;Research and Development&quot;","img":{"alt_text":"soulhacker dark","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2023\/11\/4-2500x.png?fit=681%2C385&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":662,"url":"http:\/\/isjtar.org\/index.php\/2024\/05\/29\/danteum\/","url_meta":{"origin":867,"position":1},"title":"Danteum","date":"May 29, 2024","format":false,"excerpt":"Giusy Caruso and Isjtar Vandebroek collaborate on the Danteum project, an XR performance that blends contemporary and classical music with virtual architecture in VR.Playing piano in VR poses several problems, as does moving around in a structure, larger than the VR area. Giusy and Isjtar explored several artistic and technical\u2026","rel":"","context":"In &quot;process&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/278_1714568361638.jpeg?fit=1200%2C540&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":776,"url":"http:\/\/isjtar.org\/index.php\/2023\/02\/14\/max-r\/","url_meta":{"origin":867,"position":2},"title":"Max-R","date":"February 14, 2023","format":false,"excerpt":"MAX-R is a 30-month IA that will define, develop and demonstrate a complete pipeline of tools for making, processing and delivering maximum-quality XR content in real time. The pipeline will be based on open APIs, open file and data transfer formats to encourage development and support the integration of new\u2026","rel":"","context":"In &quot;Research and Development&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/4_mix-highresscreenshot00006.png?fit=1200%2C1052&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":773,"url":"http:\/\/isjtar.org\/index.php\/2023\/02\/14\/present\/","url_meta":{"origin":867,"position":3},"title":"PRESENT","date":"February 14, 2023","format":false,"excerpt":"Our relationship with virtual entities is deepening. Already, we are using technologies like Siri, Alexa and Google Assistant to aid in day-to-day tasks. The EU-funded PRESENT project will develop a virtual digital companion, which will not only sound human but also look natural, demonstrate emotional sensitivity, and establish meaningful dialogue.\u2026","rel":"","context":"In &quot;Research and Development&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2022\/03\/delirious-departures-2021.png?fit=1200%2C675&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":654,"url":"http:\/\/isjtar.org\/index.php\/2025\/01\/27\/source-of-entropy\/","url_meta":{"origin":867,"position":4},"title":"Source of Entropy","date":"January 27, 2025","format":false,"excerpt":"Digital worlds are devoid of entropy. They get loaded, something happens and they shut down. In a way, this is a lifecycle, but there is no ageing, no transformation, no decay.What if we sample a square at a random location and use its transient state, the dust it collects, the\u2026","rel":"","context":"In &quot;process&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/source-of-entropy.jpeg?fit=900%2C1200&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":468,"url":"http:\/\/isjtar.org\/index.php\/2020\/04\/24\/vr-is-not-a-cinematic-medium\/","url_meta":{"origin":867,"position":5},"title":"VR is not a cinematic medium","date":"April 24, 2020","format":false,"excerpt":"For my last solowork, Blue Brute I went all out in cinematography, learning about lighting, camera angles and the like. Working now in VR I realize how different these two approaches are. The flat, cinematic screen has rules which don't apply to VR and vice versa. When composing digital environments\u2026","rel":"","context":"In &quot;process&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2020\/04\/forestcol.png?fit=1200%2C960&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":1,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/867\/revisions"}],"predecessor-version":[{"id":869,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/867\/revisions\/869"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/media\/868"}],"wp:attachment":[{"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/media?parent=867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/categories?post=867"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/tags?post=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}