{"id":360,"date":"2018-12-12T15:05:00","date_gmt":"2018-12-12T14:05:00","guid":{"rendered":"http:\/\/isjtar.org\/?p=360"},"modified":"2025-02-14T14:01:11","modified_gmt":"2025-02-14T13:01:11","slug":"more-concrete-studies","status":"publish","type":"post","link":"https:\/\/isjtar.org\/index.php\/2018\/12\/12\/more-concrete-studies\/","title":{"rendered":"More concrete studies"},"content":{"rendered":"
\"HighresScreenshot00236\" <\/a> <\/div> <\/div>
\"HighresScreenshot00224\" <\/a> <\/div> <\/div> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":364,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-process"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2018\/12\/HighresScreenshot00236.jpg?fit=2206%2C1241&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/paeaLp-5O","jetpack-related-posts":[{"id":214,"url":"https:\/\/isjtar.org\/index.php\/2018\/09\/02\/concrete-textures\/","url_meta":{"origin":360,"position":0},"title":"Concrete Textures","date":"September 2, 2018","format":false,"excerpt":"Procedural concrete studies in Substance. Tutorials by GetLearnt and Sharpstance.","rel":"","context":"In "Substance"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2018\/09\/ConcreteMicro_1-e1740055562279.png?fit=1200%2C647&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":462,"url":"https:\/\/isjtar.org\/index.php\/2019\/12\/18\/crew\/","url_meta":{"origin":360,"position":1},"title":"CREW","date":"December 18, 2019","format":false,"excerpt":"I've recently been hired by pioneering arts organisation CREW to be one of their main artists and developers. Updates here will be few and far between.I'm very excited to be part of CREW, they have a unique approach and I've been wanting to get into VR, which they have been\u2026","rel":"","context":"In "process"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2019\/12\/HighresScreenshot00003.png?fit=1200%2C706&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":533,"url":"https:\/\/isjtar.org\/index.php\/2022\/01\/17\/manu-avatar\/","url_meta":{"origin":360,"position":2},"title":"Manu Avatar","date":"January 17, 2022","format":false,"excerpt":"For the PRESENT Horizon project we needed a humanoid 3D model at CREW. I tend to avoid realistic characters as uncanny valley, an unease towards things that look human, is not something we enjoy at CREW. On the other end of the spectrum, cartoony or fantasy type characters are not\u2026","rel":"","context":"In "process"","img":{"alt_text":"Manu avatar","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/338_manu1-1500x.png?fit=1016%2C944&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":553,"url":"https:\/\/isjtar.org\/index.php\/2022\/08\/17\/mud-figures\/","url_meta":{"origin":360,"position":3},"title":"Mud Figures","date":"August 17, 2022","format":false,"excerpt":"In Delirious Departures, we worked with the scans of railway stations that had accidental artefacts of travelers. Instead of filtering out junk 3D, we emphasized these static figures with their sculptural qualities.We needed other figures, that we could animate and make interactive. I approach 3D more and more as one\u2026","rel":"","context":"In "process"","img":{"alt_text":"Mudfigure","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/mudfigure.png?fit=919%2C1008&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":468,"url":"https:\/\/isjtar.org\/index.php\/2020\/04\/24\/vr-is-not-a-cinematic-medium\/","url_meta":{"origin":360,"position":4},"title":"VR is not a cinematic medium","date":"April 24, 2020","format":false,"excerpt":"For my last solowork, Blue Brute I went all out in cinematography, learning about lighting, camera angles and the like. Working now in VR I realize how different these two approaches are. The flat, cinematic screen has rules which don't apply to VR and vice versa. 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