link<\/a><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Which role can art and VR play in the treatment of psychiatric patients? This is the premise of the Soulhacker research project. The artists of CREW, in collaboration with teachers and students of RITCS, will develop virtual environments in which neurologists and psychologists (represented by Brai3n, Dr. Georges Otte, Dr. Dirk De Ridder and Dr. Sven Vanneste) will guide and treat patients. With this new VR-project, CREW aims to utilise their years of expertise to create worlds and scenes rich in transformative dynamics and psychosynthesis potential. The project concentrates on the empowerment of patients and puts them at the centre as the main actor of their own healing process. This allows patients to experience the power and potential of self-activated mental healing. New scientific and artistic insights The blending of art and VR can lead to new therapeutic solutions and insights in psychiatry. Art is brought into play to recondition people with psychological problems. Soulhacker offers the artists the possibility to create worlds unencumbered by classical dramaturgy and necessities. In a series of hackathons, students from different departments of RITCS will collaborate with CREW artists to translate freshly obtained insights into new artistic expressions. Both artistically and scientifically, data received through biofeedback (from not only patients, but also regular visitors or actors) will provide new insights into these processes. Soulhacker is supported by the Flemish Community (Innovatieve Partnerprojecten). OTTE Georges, DE RIDDER Dirk, JORIS Eric, VANDEBROECK Isjtar, WILLIAMS Kristin (2024). Soulhacker: An Artist-Medical Collaboration to Treat Depression via Artistic Virtual Reality. Int J Mental Health Psychiatry.link<\/p>\n","protected":false},"author":1,"featured_media":512,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rnd"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2023\/11\/4-2500x.png?fit=681%2C385&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/paeaLp-cJ","jetpack-related-posts":[{"id":817,"url":"https:\/\/isjtar.org\/index.php\/2024\/12\/20\/tremens-visual-research\/","url_meta":{"origin":789,"position":0},"title":"Tremens Visual Research","date":"December 20, 2024","format":false,"excerpt":"Some screenshots of visual research for Tremens during our residency at Residenztheater, Munich.Trying out some very high quality water simulations with dynamic lighting, transforming the foyer of the building into a derelict Roman bathhouse atmosphere.","rel":"","context":"In "process"","img":{"alt_text":"Tremens bathhouse","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/02\/signal-2024-11-14-18-11-55-420-1-scaled.jpg?fit=1200%2C744&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":662,"url":"https:\/\/isjtar.org\/index.php\/2024\/05\/29\/danteum\/","url_meta":{"origin":789,"position":1},"title":"Danteum","date":"May 29, 2024","format":false,"excerpt":"Giusy Caruso and Isjtar Vandebroek collaborate on the Danteum project, an XR performance that blends contemporary and classical music with virtual architecture in VR.Playing piano in VR poses several problems, as does moving around in a structure, larger than the VR area. Giusy and Isjtar explored several artistic and technical\u2026","rel":"","context":"In "process"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/01\/278_1714568361638.jpeg?fit=1200%2C540&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":462,"url":"https:\/\/isjtar.org\/index.php\/2019\/12\/18\/crew\/","url_meta":{"origin":789,"position":2},"title":"CREW","date":"December 18, 2019","format":false,"excerpt":"I've recently been hired by pioneering arts organisation CREW to be one of their main artists and developers. Updates here will be few and far between.I'm very excited to be part of CREW, they have a unique approach and I've been wanting to get into VR, which they have been\u2026","rel":"","context":"In "process"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2019\/12\/HighresScreenshot00003.png?fit=1200%2C706&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":468,"url":"https:\/\/isjtar.org\/index.php\/2020\/04\/24\/vr-is-not-a-cinematic-medium\/","url_meta":{"origin":789,"position":3},"title":"VR is not a cinematic medium","date":"April 24, 2020","format":false,"excerpt":"For my last solowork, Blue Brute I went all out in cinematography, learning about lighting, camera angles and the like. Working now in VR I realize how different these two approaches are. The flat, cinematic screen has rules which don't apply to VR and vice versa. When composing digital environments\u2026","rel":"","context":"In "process"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2020\/04\/forestcol.png?fit=1200%2C960&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":824,"url":"https:\/\/isjtar.org\/index.php\/2024\/03\/20\/liege-railway-tunnels\/","url_meta":{"origin":789,"position":4},"title":"Li\u00e8ge Railway tunnels","date":"March 20, 2024","format":false,"excerpt":"Ran into some screenshots of environments based on scans of Li\u00e8ge railway tunnels back when we were working on Delirious Departures.","rel":"","context":"In "process"","img":{"alt_text":"Li\u00e8ge railway tunnel","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/02\/HighresScreenshot00001b-e1740052493814.png?fit=1200%2C671&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":828,"url":"https:\/\/isjtar.org\/index.php\/2023\/06\/20\/lonely-passengers\/","url_meta":{"origin":789,"position":5},"title":"Lonely passengers","date":"June 20, 2023","format":false,"excerpt":"","rel":"","context":"In "process"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/isjtar.org\/wp-content\/uploads\/2025\/02\/HighresScreenshot00002b-e1740052455248.png?fit=1200%2C668&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/comments?post=789"}],"version-history":[{"count":1,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/789\/revisions"}],"predecessor-version":[{"id":790,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/posts\/789\/revisions\/790"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/media\/512"}],"wp:attachment":[{"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/media?parent=789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/categories?post=789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/isjtar.org\/index.php\/wp-json\/wp\/v2\/tags?post=789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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